Ukulele Remit

Ukulele ‘Own Choice’ Remit

Recommended Bar Length Range

‘Own Choice’ Playing Skills Guide

Minimum Number of Required Playing Skills For Each ‘Own Choice’ Selection

Foundation 1
8-16
Range – Five notes C-G
Also – Four and Three Four time / Semibreves, dotted minims, minims and crotchets / Four note open stringed chord / Octave leap (C-C)
4
Foundation 2
16-24
Range – One octave
Also – Syncopation / Anacrusis / Tied notes / Repeats / Section lines / Crotchet rests / G major key signature / F major key signature
5
Grade 1
16-32
Range – One octave.
Also – Octave leaps.  Quavers.  New key of F major.  New note of B♭ and accidentals F♯.  Anacrusis.  Tied notes.
5
Grade 2
16-32
Range – Ten notes.  Seventh fret.
Also – Dotted crotchet, quaver timing. D.C. al Fine.  Section lines.  Verse/chorus.  New keys of D major and E minor.
5
Grade 3
16-32
Range – 11 Notes.  (Fret10)
Also – Syncopation using quavers.  Swing and Shuffle styles.  Intervals of a major and minor thirds.  Accidentals.  Fast tempo.  Melody line using four note chords.  Naturals.
5
Grade 4
16-32
Range – 11 Notes.  (Fret10)
Also – Introduction of Six Eight time.  Dotted quaver/semiquaver timing.  Key of A major.  Triplets.  Use of open G string.  Alla Breve.  Four note chords
5
Grade 5
16-32
Technique – Hammer –ons.  Pull-offs to both open and fretted notes.  Finger picking
Also – Use of open G string.  Use of intervals and chords in melody line.  Triplets.  Slides.  Perfect cadences using four note chords.
5
Grade 6
16-32
Range – Use of frets up to and including 10-14
Technique – Slurs and slides.  Hammer-ons and pull offs.  Double stops.  Vibrato.
Also – Blues and classical styles.  Four note chords.  Quaver rests.
5
Grade 7
16-32
Range – Use of frets up to and including 9-14
Technique – Extensive use of finger picking.  Slides, bends and vibrato. Ragtime, Blues and Classical styles. Change of key within a piece.
Also – Intros, outros and turnarounds.  Open G tuning.  Rhythm playing.  Standard notation.
5
Grade 8
16-32
Technique – Finger picking.  Legato broken chords.  Vibrato, bends, slides.  Hammer-ons and pull-offs
Also – Syncopation.  Articulation, dynamics and expressions.  Contrasts in tempo and styles.  Separations and melody from harmony.  Intros, fills-ins and outros.
5

 

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